RED DSMC2 GEMINI 5K

THE CAMERA

Featuring dual sensitivity modes, Gemini 5K is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail. It features two sensitivity modes (low and high) that give you greater flexibility when shooting in different lighting conditions. With its 5K resolution, the RED Gemini 5K camera delivers incredibly sharp and detailed footage that's perfect for any project. Whether you're shooting a commercial, a music video, or a feature film, this camera will help you capture stunning visuals that will captivate your audience. Despite its advanced capabilities, the RED Gemini 5K camera is surprisingly lightweight and compact, making it easy to transport and use on location. This makes it perfect for shooting in challenging environments or when you need to move quickly between locations.

Renting a RED Gemini 5K camera is an excellent option for anyone looking to capture high-quality video content. With its dual sensitivity modes, 5K resolution, large format sensor, lightweight design, and compatibility with a range of lenses, the RED Gemini 5K camera is the perfect tool for any serious filmmaker.

SPECS

  • GEMINI 15.4 Megapixel Dual Sensitivity CMOS

  • 5120 x 3000

  • 30.72 mm × 18 mm (Diagonal: 35.61 mm)

  • 16.5+ stops

  • Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)

    Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

  • 75 fps at 5K Full Height 1.7:1 (5120 × 3000)

    96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

  • 3:1 REDCODE at 5K Full Height (5120 × 3000) and 24 fps

    6:1 REDCODE at 5K Full Height (5120 × 3000) and 60 fps

    2:1 REDCODE at 5K Full Format (5120 × 2700) and 24 fps

    8:1 REDCODE at 5K Full Format (5120 × 2700) and 96 fps

  • ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps

    ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

  • DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps

    DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps

    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

    DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps

  • Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

  • Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

    Variable number of 3D LUT outputs with DSMC2 expander module

    User programmable shaper 1D LUTs

    Tetrahedral interpolation, 16-bit processing

  • 11.5 V DC to 17 V DC

  • 3.35 lbs

“MORE RESOLUTION TO WORK WITH IN POST-PRODUCTION MEANS MORE PRECISION AND ACCURACY.”

 

FIRE NOMADS | GEMINI 5K S35 | SHOT ON RED

Runtime: 2:42

 RED DSMC2 GEMINI 5K